Edit Tibetan: Wylie:Mnga' bdag mar pa lo tsA bas dpal sa ra ha las gsan pa'i phyag rgya chen po yid la mi byed pa snying po don gyi gdams ngag yi ge bzhi pa'i don rdo rje'i mgur du bzhengs pa

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{{Text Wylie |title=mnga' bdag mar pa lo tsA bas dpal sa ra ha las gsan pa'i phyag rgya chen po yid la mi byed pa snying po don gyi gdams ngag yi ge bzhi pa'i don rdo rje'i mgur du bzhengs pa |titletib=མངའ་བདག་མར་པ་ལོ་ཙཱ་བས་དཔལ་ས་ར་ཧ་ལས་གསན་པའི་ཕྱག་རྒྱ་ཆེན་པོ་ཡིད་ལ་མི་བྱེད་པ་ ་ ་ ་ |titleintext=mnga' bdag mar pa lo tsA bas dpal sa ra ha las gsan pa'i phyag rgya chen po yid la mi byed pa snying po don gyi gdams ngag yi ge bzhi pa'i don rdo rje'i mgur du bzhengs pa ni/ |titleintexttib=མངའ་བདག་མར་པ་ལོ་ཙཱ་བས་དཔལ་ས་ར་ཧ་ལས་གསན་པའི་ཕྱག་རྒྱ་ཆེན་པོ་ཡིད་ལ་མི་བྱེད་པ་སྙིང་པོ་དོན་གྱི་གདམས་ངག་ཡི་གེ་བཞི་པའི་དོན་རྡོ་རྗེའི་མགུར་དུ་བཞེངས་པ་ནི། |titletrans=Vajra Song on the Meaning of the Four Points: Instructions on the Ultimate Essence, the Mahāmudrā of Nonattention Heard by the Lord Marpa Lotsāwa from the Glorious Saraha |translation=None |collection=gdams ngag mdzod |collectiontib=གདམས་ངག་མཛོད་ |author=mar pa chos kyi blo gros |authortib=མར་པ་ཆོས་ཀྱི་བློ་གྲོས་ |authorincolophon=mar pa |authorincolophonofficialspelling=mar pa chos kyi blo gros |associatedpeople=mar pa chos kyi blo gros; Saraha |printer=Jayyed Press, Ballimaran, Delhi-6 |publisher=Shechen Publications |place=New Delhi |year=1999 |volwylie=mar pa bka' brgyud pod dang po |volnumber=7 |VolumeLetterTib=ཇ་ |textnuminvol=011 |totalpages=4 |totalfolios=2 |pagesinvolume=63-66 |beginfolioline=32a2 |endfolioline=33b4 |linesperpage=7 (1 page of 6, 1 page of 4) |pechatitleinfo='''Title Page (ཁ་ཤོག་):''' :No title page '''First Page Title(s):''' :*བོད་སྐད་དུ། མངའ་བདག་མར་པ་ལོ་ཙཱ་བས་དཔལ་ས་ར་ཧ་ལས་གསན་པའི་ཕྱག་རྒྱ་ཆེན་པོ་ཡིད་ལ་མི་བྱེད་པ་སྙིང་པོ་དོན་གྱི་གདམས་ངག་ཡི་གེ་བཞི་པའི་དོན་རྡོ་རྗེའི་མགུར་དུ་བཞེངས་པ་ནི། ::: mnga' bdag mar pa lo tsA bas dpal sa ra ha las gsan pa'i phyag rgya chen po yid la mi byed pa snying po don gyi gdams ngag yi ge bzhi pa'i don rdo rje'i mgur du bzhengs pa ni/ '''Description of pages:''' *'''Side A:''' :*གཡོན་: ཇ་ གཅེས་ (གྲངས་ཀ་) བཏུས་ ::Left: ja gces (tibfolio#) btus :*གཡས་: (#) གདམས་ངག་མཛོད་བཀའ་བརྒྱུད་ ::Right: (#) gdams ngag mdzod bka' brgyud *'''Side B:''' :*གཡོན་: ཕྱག་ཆེན་ཆོས་དྲུག་ ::Left: phyag chen chos drug :*གཡས་: (#) ::Right: (#) |partialcolophonwylie=/ces mar pa'i thugs bcud phyag rgya chen po yi ge bzhi pa grags pa de yin no/ |partialcolophontib=།ཅེས་མར་པའི་ཐུགས་བཅུད་ཕྱག་རྒྱ་ཆེན་པོ་ཡི་གེ་བཞི་པ་གྲགས་པ་དེ་ཡིན་ནོ། |chokyigenre=Instruction manual |dkarchaggenre=gzhung rtsa 'grel |keywords=gces btus; phyag chen chos drug |tbrc=[http://tbrc.org/link?RID=W23605 VolumeI1CZ3969] |tbrccontents=No note on contents |volumeTranslator=Person:Callahan, E. |introAuthor=Person:Callahan, E. |translatorintro=This song, also known as the ''Marpa’s Root Song about Nonattention'',<ref>2</ref> is one of the—if not the—most famous songs by Marpa Lotsāwa. It is found in many of his biographies, including the well-known one by Tsangnyön Heruka. It is in the collection called the ''Ocean of Kagyu Songs'' (also known as the ''Rain of Wisdom'') and in the Twenty-Five Songs of Marpa, a song anthology compiled by the sixteenth Drikung throne-holder, Kunga Rinchen (1475–1527). It is also one of eight songs that Marpa sang for which there is a named melody, a group Tsangnyön Heruka called the eight great songs. The melody for this song is called the “outstretched wings of a soaring garuda.”<ref>3</ref> Marpa followed the Indian tradition of singing about meditative experiences and realizations, but he often added autobiographical elements, as is the case here. Marpa sang this song in response to a request from the Lokya prince of Gyerpu in Tsang, where he had been invited to teach following his return from his first trip to India. The rest of the story is told in the song. ''Transmission lineage received by Jamgön Kongtrul''. Marpa to Milarepa, and then the same as previously stated for the Ganges Mahāmudrā.<ref>4</ref> |tibvol=ja |notes=This text was originally cataloged under the title [[rje mar pa lo tsA'i lta bas sgros pa gcod pa'i bla ma mnga' bdag mai tri pa'i gsung phyag rgya chen po yid la mi byed pa'i chos nyer bzhi sogs mang du]] bzhugs, but after looking a bit closer, I think the old title is actually the colophon notes of the previous text, not the title of the next section in this collection of texts. |topic=Instruction manual |tibcategory=gzhung rtsa 'grel |pechaside1=gces btus |pechaside2=phyag chen chos drug |fulltibtext=<span class=TibUni18>[[མངའ་བདག་མར་པ་ལོ་ཙཱ་བས་དཔལ་ས་ར་ཧ་ལས་གསན་པའི་ཕྱག་རྒྱ་ཆེན་པོ་ཡིད་ལ་མི་བྱེད་པ་ ་ ་ ་|མངའ་བདག་མར་པ་ལོ་ཙཱ་བས་དཔལ་ས་ར་ཧ་ལས་གསན་པའི་ཕྱག་རྒྱ་ཆེན་པོ་ཡིད་ལ་མི་བྱེད་པ་སྙིང་པོ་དོན་གྱི་གདམས་ངག་ཡི་གེ་བཞི་པའི་དོན་རྡོ་རྗེའི་མགུར་དུ་བཞེངས་པ་]]</span> }} <onlyinclude> = Tibetan Text = {{ {{#show: {{FULLPAGENAME}} |?titletib#}} }} = Wylie Text = WYLIE TEXT WILL APPEAR HERE == Footnotes == <references/> </onlyinclude> <headertabs /> {{Footer}} [[Category: mar pa chos kyi blo gros]][[Category: Saraha]] {{DRL Tibetan text categories}} [[Category: Gdams ngag mdzod Shechen Printing]] [[Category: Gdams ngag mdzod Catalog]]

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Edit Tibetan: Wylie:Mnga' bdag mar pa lo tsA bas dpal sa ra ha las gsan pa'i phyag rgya chen po yid la mi byed pa snying po don gyi gdams ngag yi ge bzhi pa'i don rdo rje'i mgur du bzhengs pa

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