Wylie:Me tog mkha' spyod dkar dmar gyi nyams len dbu ma'i mdud 'grol: Difference between revisions
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|titleintext=shangs pa'i gser chos khrid chen rnam lnga las/_me tog mkha' spyod dkar dmar gyi nyams len dbu ma'i mdud 'grol ces bya ba bzhugs so | |titleintext=shangs pa'i gser chos khrid chen rnam lnga las/_me tog mkha' spyod dkar dmar gyi nyams len dbu ma'i mdud 'grol ces bya ba bzhugs so | ||
|titleintexttib=ཤངས་པའི་གསེར་ཆོས་ཁྲིད་ཆེན་རྣམ་ལྔ་ལས། མེ་ཏོག་མཁའ་སྤྱོད་དཀར་དམར་གྱི་ཉམས་ལེན་དབུ་མའི་མདུད་འགྲོལ་ཅེས་བྱ་བ་བཞུགས་སོ | |titleintexttib=ཤངས་པའི་གསེར་ཆོས་ཁྲིད་ཆེན་རྣམ་ལྔ་ལས། མེ་ཏོག་མཁའ་སྤྱོད་དཀར་དམར་གྱི་ཉམས་ལེན་དབུ་མའི་མདུད་འགྲོལ་ཅེས་བྱ་བ་བཞུགས་སོ | ||
|titletrans=Releasing the Knots of the Central Channel A Practice of White and Red Khecarīs | |||
|collection=gdams ngag mdzod | |collection=gdams ngag mdzod | ||
|collectiontib=གདམས་ངག་མཛོད་ | |collectiontib=གདམས་ངག་མཛོད་ |
Latest revision as of 13:34, 10 August 2023
- Translator's notes
- Note from Ringu Tulku
- From the Five Great Instructions of Shangpa Golden Teachings, the Practice of White and Red Ka Cho Ma Called "Freeing the Knots of the Central Channel".
- Other notes
- Genre from Richard Barron's Catalog
- Liturgy
- Genre from dkar chag
- shangs pa bka' brgyud
- BDRC Link
- VolumeI1CZ3974
- BDRC Content Information
- No note on contents
Information about Unicode Tibetan and the digitization of this text
As the only available unicode Tibetan text at the time, Nitartha International's version of the Gdams ngag mdzod Paro Edition of the gdams ngag mdzod is provided here. However, note that it has not been thoroughly edited and that there may also be mistakes introduced through the conversion process. Eventually we will provide a fully edited version of the entire Shechen Edition, entered and edited multiple times by Pulahari Monastery in Nepal, but as of fall 2017 that project has not been finished. Note that the folio numbers that appear throughout were added by Nitartha Input Center at the time of input.
Provided by Nitartha International Document Input Center. Many thanks to Person:Namdak, Tenzin and Person:Wiener, G. for help with fonts and conversion.