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• Wylie:Mkhas grub chen po nA ro tA pas rnal 'byor gyi dbang phyug mar pa lo tsA la gdams pa'i chos drug dril ba rdo rje'i mgur  + (During Marpa’s third trip to India, Nāropa … During Marpa’s third trip to India, Nāropa sang this song to him</br>during a ganacakra celebrating Marpa’s recovery from an illness.</br>Although Marpa had recovered physically, he was, as Nāropa remarks in the</br>song, still feeling sad. In this song, Nāropa summarizes the instructions on</br>the six dharmas—caṇḍālī, illusory forms, dreams, luminosity, transference,</br>and entering a body—and adds two final sets of instruction: on the bardos</br>and the path.</br></br>This song is found in the biographies of Marpa Lotsāwa by Tsangnyön</br>Heruka, Khachö Wangpo, and Pawo Tsuklak Trengwa.'"`UNIQ--ref-000000F6-QINU`"' It also serves as</br>a basis for commentaries on the six dharmas by the first Paṇchen Lama,</br>Lopsang Chökyi Gyaltsen, and one of his students, the first Rongpo Drupchen, Shar Kalden Gyatso, both seventeenth-century Geluk teachers.'"`UNIQ--ref-000000F7-QINU`"'</br></br>''Transmission lineage received by Jamgön Kongtrul''. Vajradhara to Jñānaḍākinī,</br>Vajrapāṇi, Tilopa, and then the same as previously stated for the Ganges</br>Mahāmudrā.'"`UNIQ--ref-000000F8-QINU`"'es Mahāmudrā.'"`UNIQ--ref-000000F8-QINU`"')

• Wylie:Mkhas grub chen po nA ro tA pas rnal 'byor gyi dbang phyug mar pa lo tsA la gdams pa'i chos drug dril ba rdo rje'i mgur  +